Abstract: From the May 4th Movement to the mid-1930s, with the emergence of modern female literature, female literary criticism, as a reflection, interpretation and evaluation of female literary creation, has become a considerable phenomenon of literary criticism. Female literary criticism at that time mainly aimed at Bing Xin, Lu Yin, Chen Hengzhe, Su Xuelin (Lu Yi), Xie Bingying, Ling Shuhua, Feng Yuanjun, Shi Pingmei, Yuan Changying, Ding Ling, Bai Wei and other women writers who rose up in the May 4th Movement tide and their works are quite influential works such as Modern Chinese Women Writers by Huang Ying (Qian Xingcun), He yubo's "modern Chinese women writers," huang pingying's "on contemporary chinese women writers, and cao ye's" modern chinese women writers, "as well as some random comments on the main body of female writers, such as mao dun's" on lu yin, "" on bing xin, "and" female writer ding ling. " Yi Zhen's "Several Contemporary Chinese Women Writers" and Liang Shiqiu, Jiang Guangci, Zhang Tianyi, Hu Shi, Lin Yutang, Xu Zhimo, Chen Xiying, Jian San, Cheng Fangwu, Li Baiying and Jian Shen's critical essays on women writers and their works; In addition, A History of Chinese Women's Literature by Xie Wuliang, A History of Chinese Women's Literature by Tan Zhengbi and A History of Women's Literature in Qing Dynasty by Liang Yizhen also contributed to the construction of female literary criticism from the perspective of historical theory.

Read the full article here:   批评的在场与角色的缺席——...年代中国女性文学批评的批评_王纯菲.pdf